Showing posts with label moreau. Show all posts
Showing posts with label moreau. Show all posts

MOREAU, Gustave Oedipus and the Sphinx 1864

MOREAU, Gustave Oedipus and the Sphinx 1864305 × 599 pixels
Full resolution‎ 1,600 × 3,140 pixels, file size: 5.28 MB
Oil on canvas, 206 x 105 cm (81 1/4 x 41 1/4 in.) Metropolitan Museum of Art, New York

Moreau's interpretation of the Greek myth draws heavily on Ingres' Oedipus and the Sphinx of 1808 (Musée du Louvre, Paris), which was exhibited in Paris in 1846 and 1855. Both painters chose to represent the moment when Oepidus confronted the winged monster in a rocky pass outside the city of Thebes. Unlike her other victims, he could answer her riddle and thus saved himself and the besieged Thebans. The painting was a success at the Salon of 1864; it won a medal and established Moreau's reputation. Moreau made more than thirty studies for this work and many repetitions after it. - The Metropolitan Museum of Art

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After MOREAU Gustave Peri 1865

After MOREAU Gustave Peri 1865
429 × 600 pixels
Full resolution‎ 1,283 × 1,793 pixels, file size: 1.92 MB
After MOREAU Gustave A Peri 1865
Graphite, ink, gray wash, & gouache on paper, The Art Institute of Chicago, Chicago

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MOREAU Gustave Evening Voices c.1885

MOREAU Gustave  Evening Voices c.1885

Medium Large Xlarge
Watercolour

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MOREAU Gustave Saint Cecilia , 1897

MOREAU Gustave Saint Cecilia , 1897

Medium Large Xlarge
Gustave Moreau, French, 1826-98
The Angels Announcing Her Impending Martyrdom
Oil on canvas, Private collection

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MOREAU Gustave La parque et l'ange de la mort 1890

moreau, park, angel, death, 1890, rider, horseman, wings
Medium Large Another version, Xlarge
Looks a little like Daumier's Don Quijote (c.1868)

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MOREAU, Gustave Job and the Angels, circa 1890

moreau, job, angels, 1890, story
Medium Large Xlarge
Gustave Moreau, French, 1826 – 1898, Symbolism

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MOREAU Gustave Saint Sebastian and the Angel (detail) 1876

moreau, saint, sebastian, angel, 1876, confrontation, wings, light, story
Medium Large Xlarge Full painting
Oil on wood 67.8 x 38.7 cm, Fogg Art Museum, Harvard University

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MOREAU Gustave View of the Villa Borthese 1858

moreau, view, villa, borthese,1858, landscape, green, lush

Medium Large Xlarge
Watercolour

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MOREAU Gustave Galatea 1896

moreau, galatea, 1896, cyclops, polyphemus, desire, passion, nymph
Medium Large Xlarge Another version
Gustave Moreau, French, 1826-1898

The Cyclops appears in the story of Acis and Galatea. As a jealous suitor of the sea nymph, Galatea, he kills his rival Acis with a rock. (Wikipedia)

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MOREAU, Gustave Self-Portrait 1850

moreau, self-portrait, 1850, portrait, face, young man
Medium Large Xlarge
Oil on canvas, 41 x 32 cm, Musée National Gustave-Moreau, Paris

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MOREAU Gustave Thracian Girl carrying the Head of Orpheus on his Lyre, 1865

moreau, thracian, girl, carry, head, orpheus, lyre, 1865, sorrow, contemplation
Medium Large Xlarge
Oil on wood 60 5/8 x 39 1/8 inches (154 x 99.5 cm) Musée d’Orsay, Paris

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MOREAU Gustave (1826 – 1898) Leonardo da Vinci's Angel

moreau, leonardo, angel, 19th century, verrochhio, 1472-75, kneeling, looking
Medium Large Xlarge
Copy of Leonardo da Vinci's angel in Andrea del Verrochio's The baptism of Christ, 1472-75

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MOREAU, Gustave Hesiod and the Muse 1857

moreau, hesiod, muse, 1857, inspiration
Medium Large Xlarge
Pen, ink, and chalk on paper private collection

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MOREAU Gustave King David (detail) 1878

moreau, king, david, 1878, angel, old man, evening, peace, acceptance, story
Medium Large Xlarge
Gustave Moreau, French, 1826-1898, Symbolism

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MOREAU, Gustave Oedipus and the Sphinx (detail) 1864

moreau, oedipus, sphinx, 1864, wings, confrontation, oedipus, riddleMedium Large Xlarge
Oil on canvas, 206 x 105 cm, Metropolitan Museum of Art, New York

Continuing his journey to Thebes, Oedipus encounters the Sphinx who would stop all those who traveled to Thebes and ask them a riddle. If the travelers were unable to answer correctly, they were eaten by the Sphinx; if they were successful, they would be able to continue their journey. The riddle was: "What walks on four feet in the morning, two in the afternoon and three at night?" (Wikipedia)

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MOREAU Gustave King David, 1878

moreau, king, david, 1878, angel, old man, evening, peace, acceptance, story
Medium Large Xlarge
Gustave Moreau, French, 1826-1898, Symbolism

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MOREAU, Gustave Oedipus and the Sphinx 1864

moreau, oedipus, sphinx, 1864, wings, confrontation, oedipus, riddle
Medium Large Xlarge
Oil on canvas, 206 x 105 cm, Metropolitan Museum of Art, New York

Moreau's interpretation of the Greek myth draws heavily on Ingres' Oedipus and the Sphinx of 1808 (Musée du Louvre, Paris), which was exhibited in Paris in 1846 and 1855. Both painters chose to represent the moment when Oepidus confronted the winged monster in a rocky pass outside the city of Thebes. Unlike her other victims, he could answer her riddle and thus saved himself and the besieged Thebans. The painting was a success at the Salon of 1864; it won a medal and established Moreau's reputation. Moreau made more than thirty studies for this work and many repetitions after it. - The Metropolitan Museum of Art

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MOREAU Gustave Galatea c.1896

moreau, galatea, 1896, jealous, cyclops, polyphemus
Medium Large Xlarge
Watercolor and gouache on cardboard Thyssen-Bornemisza Museum (Spain) Dates: circa 1896

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MOREAU Gustave The Apparition c. 1876

moreau, apparition, 1876, salome, head, john, baptist
Medium Large Xlarge Image courtesy of freeparking
Oil on canvas Musee du Louvre (France)

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